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We are here to sell and hire out fine, modern upright and grand pianos, and to provide a unique working environment in central London for the music profession. Peregrine epitomizes the musician seeking to facilitate good music-making. For him friendly staff, integrity and an aspiration for quality are all important; we work to standards and not to price. 

 Dawn Elizabeth Howells      Andrew Greenwood      Sophie Kent 

Peregrine's Pianos is the exclusive dealer in London for two of the finest German piano manufacturers - August Förster and Schimmel. We also present a range of preowned modern pianos by various manufacturers and offer both long-term domestic hire, and concert and event hire. 

We have vast experience in the smooth running of comfortable rehearsal facilities for the music profession and our strong legacy dates back to the establishment of Belsize Music Rooms in 1997. Our premier music rooms, which can accommodate up to fifty people, are the first choice for orchestras, opera and media companies, teachers and large numbers of independent professionals.

School concert

 

 

In summary we offer quality instruments for the professional pianist, spacious rehearsal rooms for the working musician, and sale and hire options for the musical family.

 

 

  

"The Practice Rooms [Peregrine's Pianos] are some of the quietest and best stocked in the city, and attract musicians from all over the globe"  International Piano Magazine, April 2012

"Peregrine's Pianos, established in 2010, is the first new piano shop in London for 30 years and, as well as hosting world-renowned rehearsal rooms, is also London's exclusive Schimmel dealer"  Music Teacher Magazine, August 2013

"One person with an in-depth understanding of the issue of sound transmittal and pianos is Dawn Elizabeth Howells, owner of Peregrine's Pianos in London. Peregrine's sells Schimmel, August Förster, Samick and other piano makes, but its valued-added service is its acoustical expertise"  Pianist Magazine, January 2014  

"She takes me on a guided tour of its three practice studios, one of them with sufficient floor space for an audience of 50 and each as quiet as a country church"  Classical Music Magazine, February 2011 

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